Exhibition essays
Ana Benavides and Katherine Qiyu Su at Wilder Gallery, ‘Waves Wash Over‘, 2024
Land, Sea, Air at Palmer Gallery, ‘Meeting Points Within This Elemental Mesh‘, 2024
Bobbye Fermie at Wilder Gallery, ‘16 One Act Plays‘, 2024
Worshipful Company of Painter-Stainers for London Craft Week, ‘The Gilded City‘, 2024
Georgia Beaumont at Wilder Gallery, ‘The Spirit’s Gaze‘, 2024
Xiaochi Dong, Rowley Hayes, & Sammi Lynch at Lychee One, ‘Delicate Bonds‘, 2024
Connie Harrison at Informality Gallery, ‘In Midst, Unfolding‘, 2023
Laura Berger, Lydia Baker, & Larysa Myers at Wilder Gallery, ‘Aura‘, 2023
Diane Chappalley at Lychee One, ‘Constellation’, 2023
Konstantina Krikzoni at New Child Gallery, Antwerp, ‘Chamber‘, 2023
Wendy Kirkup supported by Creative Scotland Open Fund Award, ‘Rough Cut Botanical‘, 2022
Minyoung Choi at Lychee One, ‘Always There‘, 2022
Morteza Khakshoor at Wilder Gallery, ‘Dirty Words and a Melody‘, 2022
Marlene Steyn at Lychee One, ‘You-Me-Verse‘, 2022
James Owens at Lychee One, ‘Dreaming of UFOs‘, 2022
Group show at Mothflower, ‘Arcadia‘, 2022
Tracy Hill, supported by Arts Council England, ‘Porosity‘, 2022
Lena Dubitskaya at Wilder Gallery X Mothflower, ‘Corolor Pictulures‘, 2022
Claire Baily at Castor Projects, ‘Terra Incognita‘, 2022
Marielle Hehir & Robert Mead at APT Gallery, ‘Genius Loci: Painting the Spirit of Place’, 2022
Group show curated by Ariane Hughes at Gallery 46, ‘Damned If I Do‘, 2022
Anne Carney at Wilder Gallery, ‘Pleasure Zones‘, 2022
Mothflower X Clint Roenisch Gallery, Toronto, ‘Anonymous Was a Woman‘, 2022
Katie Spragg: Lambeth Wilds at Garden Museum, ‘The Hushed Beauty of Weeds’, 2022
Gregory Herbert: Making-With at CCA Glasgow & Sheffield DocFest, ‘Spaces for Symbiosis‘, 2021
Anna Skladmann & Yulia Iosilzon: Paradise is Not Just a Place at Roman Road, ‘After the Garden‘, 2021
Freya Douglas-Morris at Arusha Gallery, ‘Hills of Honey‘, 2021
Diane Chappalley & Anna Reading at Informality Gallery, ‘The Auguries‘, 2021
Minyoung Choi at Lychee One, ‘Things that happen when we are not looking‘, 2021
Daisy Dodd Noble at The Columbia/Roman Road, ‘The Wood for the Trees’, 2021
Beating Time at ARB Cambridge, ‘An Active State of Being‘, 2020
Guy Haddon Grant: Surrender at Roman Road, ‘Here or There: Process and Presence’, 2019
Tom Sharp: Twenty-Five Sculptures in Five Dimensions at the Swiss Church, ‘Sculptural Seeing‘, 2019
Anna Skladmann, ‘The Genesis of Blame: A History of Forbidden Fruit‘, 2019
Rewind/Rewild at OmVed Gardens, ‘Being with Others‘, 2019
Subsidiary Projects & Dateagle Art, ‘The Animal Inside: We Are Not of Ourselves‘, 2019
Emma Witter: Remember You Must Die at Sarabande Foundation, ‘Memento Mori’, 2019
Marco Miehling & James Fuller: An Arrangement in Two Halves, A Bench in Two Parts at William Benington Gallery and Lily Brooke Gallery, ‘Making Arrangements’, 2019

Fiction
Millimetre02 at Kingsgate Project Space, ‘I keep dreaming in my stolen sleeps’, 2022 [print]
Jessica Wetherly – Sink or Float: An Artificial Island, ‘Leaftide‘, 2022 [print edition]
Collaboration with Gregory Herbert, ‘Myco-heterotrophy‘, text for exhibition Nutrient Market at CBS Gallery, 2021
Collaboration with Natalia Janula, ‘Iris, rhizome I‘: text and voice for video mixed reality visual poem, 2021
Facing Extinction, ‘a sounding of sensitivities‘, published by Corridor8, 2020 [print and online]
Ellipsis Zine, ‘Caught‘, 2020
textur magazine, ‘Under Negotiation‘, commissioned by Furtherfield Gallery, 2020 [print and online]
GRAIN Projects, ‘Photosynthesis‘, 2020
Open Space Contemporary, ‘Orpheus Dispersed‘, 2020
About Place Journal, ‘The Swaling‘, 2020
Site Projects, ‘i sing the body microbial‘, 2020
Camden Arts Centre Peer Forum Instagram Takeover, ‘there will be dancing and us‘, 2020
Novelty Magazine, ‘Laurel‘, 2020
You Are Here Journal, ‘Mind-Change‘, 2020
Collaboration with Inês Neto dos Santos, ‘If you change your mind, you can change the future‘:
text and audio for a performative dinner for the Papanek Symposium at Porto Design Biennale, supported by the University of Applied Arts of Vienna, 2019

Essays and reviews
2024
Art Monthly, ‘Misfits: Nairy Baghramian interviewed by Anna Souter
Hyperallergic, ‘Nicola L probes the generative contradictions of womanhood
Hyperallergic, ‘The brutal exploitation behind the Belgian art nouveau
Hyperallergic, ‘The motley crew of Haegue Yang’s hybrid sculptures
Hyperallergic, ‘Lap-See Lam refashions Chinese diaspora from aboard a spectral ship
Hyperallergic, ‘The magical life of Lyndie Wright’s puppets
Hyperallergic, ‘The universes within universes of Josefa Ntjam
Hyperallergic, ‘A garden of one’s own: Gardening Bohemia
Hyperallergic, ‘Donald Rodney drew upon his sickness to illuminate society’s ills
Hyperallergic, ‘Gavin Jantjes’ soft songs from exile
Hyperallergic, ‘Tavares Strachan complicates what it means to be a pioneer
Hyperallergic, ‘What adults can learn from children’s games
Hyperallergic, ‘Unearthing the land’s buried stories at the Venice Biennale
Hyperallergic, ‘Ecological crisis echoes through the church of San Lorenzo
Hyperallergic, ‘Woody de Othello combines sublimation and supplication
Hyperallergic, ‘Two lesbian lovers’ elaborate art hoax
Hyperallergic, ‘A Sami artist’s call for ancestral return
Hyperallergic, ‘Can we survive without reconnecting to the earth?
Hyperallergic,
Monica Sjoo’s radical feminist goddesses
Resurgence & Ecologist, ‘Melting Ice, Rising Tides: An Interview with Emma Stibbon’
Resurgence & Ecologist, ‘Radical Landscapes’

2023
Hyperallergic, ‘Women’s oppression is the earth’s oppression: RE/SISTERS at Barbican
Hyperallergic, ‘The Prolific Genius of Frank Walter
Hyperallergic, ‘An artist’s ode to worms: Tamara Henderson at Camden Art Centre
Hyperallergic, ‘Care isn’t enough for the climate crisis
Hyperallergic, ‘Carolina Caycedo’s spiritual fieldwork
Resurgence & Ecologist, ‘First Came the Landscape’
Where the Leaves Fall, ‘Make Me Good soil: An Interview with Sophie Strand

2022
Decolonise the Garden: Radicle Substack, ‘Notes towards a vegetal feminism
Hyperallergic, ‘The pleasures and pain of Carolee Schneemann’s body politics
Hyperallergic, ‘The politics of the air we breathe
Hyperallergic, ‘Dreaming with Homer on an idyllic French island
Hyperallergic, ‘Celine Condorelli: The Hidden Labour of Exhibitions
Hyperallergic, ‘The British Museum takes the feminism out of Feminine Power
Hyperallergic, ‘Celebrating Samoa’s third gender through radical camp
Hyperallergic, ‘Tanoa Sasraku’s engimatic “earth photos”
Hyperallergic, ‘In Venice, a show draws connections between colonialism and marine ecology
Hyperallergic, ‘Venice’s Sami Pavilion is a coup for Indigenous artists
Hyperallergic, ‘The monstrous beauty of Louise Bourgeois’ late textiles
Hyperallergic, ‘Gisela McDaniel at Pilar Corrias: A painter takes a collaborative approach to the portrait
Resurgence & The Ecologist, ‘Making drama out of a crisis‘ [print & online]
Synesthesia, ‘Tony Plant: Noughts and Crosses
Synesthesia, ‘Fiona J Sperryn: Coded Fibres
Where the Leaves Fall, ‘Wild Arrows‘ [print & online]
Where the Leaves Fall, ‘The Sami Narrative‘ [print & online]
Where the Leaves Fall, ‘Rooted Beings‘ [print & online]

2021
The Architectural Review, ‘The wood wide web: Trees in literature
Burlington Contemporary, ‘Review: Bolt from the Blue by Jeremy Cooper
Earth Minus Environment, ‘The Environment Hijacked
Hyperallergic, ‘At Tate Modern, an installation blurs the line between technology and biology
Hyperallergic, ‘Paul by Daisy Lafarge: Sexism and colonialism intertwine in the story of a toxic relationship
Hyperallergic, ‘Christine Borland: The indigenous and female roots of harvesting flax
Hyperallergic, ‘Unravelling Rodin’s artistic mystique
Hyperallergic, ‘Veronica Ryan’s botanical musings on migration
Hyperallergic, ‘Spilled milk and other acts of protest visualize the politics of food production
Hyperallergic, ‘Salmon pink and other relics of pre-industrial agriculture
Inigo, ‘A Lesson in Craft: The enigmatic depths of Tuesday Riddell’s japanned artworks
It’s Freezing in LA!, ‘Ecological Borderlands’ [print]
It’s Freezing in LA!, ‘Review: Daisy Lafarge – Life Without Air
Resurgence & The Ecologist, ‘Closing the net on salmon farming: Anna Souter speaks to artist duo Cooking Sections’ [print]
This is Tomorrow, ‘Simon Linington: Bajo la Sierra Larga at Joya AiR
This is Tomorrow, ‘Miriam Austin: Andesite at Bosse & Baum
Resurgence & The Ecologist, ‘A Growing Trend
Where the Leaves Fall, ‘Bathed in Light: Modernism and the healing properties of the sun‘ [print and online]
Where the Leaves Fall, ‘The Grammar of Being: How our use of language can define our relationship with the natural world‘ [print and online]
Where the Leaves Fall, ‘Tamara Dean: In (Our) Nature‘ [print and online]
Where the Leaves Fall, ‘The Beautiful Horror of Plants‘ [print and online]
Where the Leaves Fall, ‘Melting Eternity: The Changing Metaphors of Ice‘ [print and online]

2020
Create Magazine, ‘Photographic Editions Explore the Domestic Interior
Collecteurs, ‘12 Pack: Paths to an Ecological Crisis
DATEAGLE ART, ‘Liz Elton: Disintegration
DATEAGLE ART, ‘Diane Chappalley: Untouched Abundance
The Earth Issue, ‘Grete Hjorth-Johansen: Tartarus
The Guardian, ‘Dirty pretty things: Air pollution in art from JMW Turner to today
Hyperallergic, ‘An Invitation to Get Caught in the Spider’s Web: Tomás Saraceno’s Arachnomancy
Hyperallergic, ‘The Botanical Mind Online: Artists, Writers, Musicians, and More Explore the Intersections between Art and Ecology
Hyperallergic, ‘Joana Vasconcelos’s Bold, Feminist Sculptures Pop Against an English Landscape
Hyperallergic, ‘Artists, Designers, and Activists Address Climate Breakdown in a Pop-Up Exhibition
The Learned Pig, ‘re:rural at Haarlem Artspace
This is Tomorrow, ‘Among the Trees at Hayward Gallery
This is Tomorrow, ‘Shani Rhys James: tea on the sofa, blood on the carpet
This is Tomorrow, ‘Vivian Suter: Tintin’s Sofa at Camden Arts Centre
The Upcoming, ‘Review: Sensing the Unseen at National Gallery
The Upcoming, ‘Review: Tracey Emin/Edvard Munch at Royal Academy
The Upcoming, ‘Review: Bruce Nauman at Tate Modern
The Upcoming, ‘Review: Artemisia at National Gallery
The Upcoming, ‘Review: Radical Figures at Whitechapel Gallery
Where the Leaves Fall magazine, ‘A Mutual Feeling: Entangled Lives‘ [print and online]
Where the Leaves Fall magazine, ‘Nuclear Plants‘ [print and online]

2019
Anniversary Magazine, ‘Guy Haddon Grant – In the Sculptor’s Studio
The Architectural Review, ‘Book of Books: Run Rewild – Reinstating Nature‘ [online & print]
Art on a Postcard, ‘Anna Souter: Curator’s Picks – Secret Auction 2019
Artsy, ‘The Dark Side of Surrealism that Exploited Women’s “Hysteria”
Assemblage Magazine, ‘Anna Souter and Beatrice Searle in Conversation
The Brooklyn Rail, ‘Sophy Rickett, The Curious Moaning of Kenfig Burrows‘ [online & print]
Burlington Contemporary, ‘Patricia Domínguez: Green Irises
Candid Magazine, ‘Rewind/Rewild: An Exhibition Exploring Ecological Art In A Restored Glasshouse
Creative Countryside, ‘Creative Rewilding
DATEAGLE ART, ‘Jake Grewal: The Fantasy of Nature
DATEAGLE ART, ‘Emma Witter: Memento Mori
DATEAGLE ART, ‘Julia Crabtree & William Evans: Elisions
DATEAGLE ART, ‘Freya Douglas-Morris: Cohabiting
DATEAGLE ART, ‘Amy Stephens: Geological Relandings
The Earth Issue, ‘Multispecies Entanglements at the Venice Biennale
The Ecologist, ‘Creative Approaches to Rewilding
Hyperallergic, ‘Joy Labinjo’s dynamic process in painting her family
Hyperallergic, ‘Technological invention is not necessarily the answer to a sustainable future
Hyperallergic, ‘Creating Soundscapes From the Whispering, Bubbling, and Roaring Earth
Hyperallergic, ‘Maren Hessinger reminds us that equality is for everyone
Hyperallergic, ‘Holly Hendry Designs a Sculptural Synthetic Skin
Hyperallergic, ‘Antony Gormley Explores the Body as a Space Within a Space
Hyperallergic, ‘The Sprawling Ecologies of Olafur Eliasson
Hyperallergic, ‘Rising Tides and Climate Change Color the Venice Biennale This Year
Hyperallergic, ‘Plastic Capitalism traces the phenomenon of “waste art”
Hyperallergic, ‘Exhibition Comparing Hockney and Van Gogh Searches for Common Ground’
Inside Ecology, ‘Can rewilding allow us to co-exist peacefully with other species?
The Learned Pig, ‘Rewilding the Exhibition
The Learned Pig, ‘Architecture for All
Panorama: The Journal of Intelligent Travel, ‘Common Ground
Sustainability Times, ‘Rewilding can help repair our badly fractured environment
This is Tomorrow, ‘Joanna Rajkowska: The Failure of Mankind at l’étrangère
This is Tomorrow, ‘Venice Biennale 2019: Dane Mitchell – Post Hoc
This is Tomorrow, ‘Senga Nengudi at Sprüth Magers
This is Tomorrow, ‘Venice Biennale 2019: Larissa Sansour – Heirloom
This is Tomorrow, ‘Geta Brătescu: The Power of the Line at Hauser & Wirth
This is Tomorrow, ‘Subversive Stitch at TJ Boulting
This is Tomorrow, ‘Jerwood Solo Presentations
This Is Tomorrow, ‘Amie Siegel: Backstory at Thomas Dane
The Upcoming, ‘William Blake at Tate Britain
The Upcoming, ‘TS Eliot: Four Quartets at the Barbican
The Upcoming, ‘Van Gogh and Britain at Tate Britain
Village Raw, ‘Thinking Local to Act Global’ [print]
Village Raw, ‘Rewilding in the City
Where the Leaves Fall, ‘The Wild Inside‘ [print]

2018
ArtSlant, ‘Jules de Balincourt at Victoria Miro: A Troubled Eden or a Promised Land
Candid Magazine, ‘Decorating with Nature: Les Lalannes at Ben Brown Fine Arts
Candid Magazine, ‘Surreal Science: Salvatore Arancio at Whitechapel Gallery
Creative Countryside, ‘Life on the Wing: The Joy and Tragedy of the Swift’ [print]
DATEAGLE ART, ‘Inês Neto dos Santos: Cultivating Unseen Things
DATEAGLE ART, ‘Rodrigo Arteaga: Ecologies of Art Making
DATEAGLE ART, ‘Marco Miehling: The Apparatus of Materiality
DATEAGLE ART, ‘Nayoug Kang: Urban Nature
DATEAGLE ART, ‘Anna Skladmann: Narcissus, A Modern Myth
Hyperallergic, ‘“Being born black in America is a political act”: An Interview with Senga Nengudi
Hyperallergic, ‘Shedding Light on the Messy Beauty of the Arctic
Online, ‘The Tree
ROAM Magazine, ‘Places of the Mind: Kumano Kodo Pilgrimage Trail, Japan
Roman Road Journal, ‘Louise Bourgeois: Subversive Stitching
Roman Road Journal, ‘Art and the Sexual Revolution
Roman Road Journal, ‘The Exhibition as Medium
Roman Road Journal, ‘Portrait/Landscape: Interview with Matthew Day Jackson
The Upcoming, ‘Code Builder: A Robotic Choreography by Mamou-Mani
The Upcoming, ‘Landscape in Flux: Thomas Cole at National Gallery
The Upcoming, ‘Nature Institutionalised – Mark Dion at Whitechapel
The Upcoming, ‘Chiharu Shiota: Me Somewhere Else at Blain Southern

2017
Roman Road Journal, ‘Why We Don’t Trust Colour in Art
Roman Road Journal, ‘Interview with Quantum Biologist Johnjoe McFadden
Roman Road Journal, ‘Post-Internet Art: The Search for a Definition
Roman Road Journal, ‘Alberto Giacometti: Sculpture and the Question of Distance
Roman Road Journal, ‘Sex Toy or Sculpture: The Gallery as a Clean, Well-Lighted Place
Roman Road Journal, ‘Changing Times in a Contemporary Dystopia: How Does Art Respond to Politics?
Roman Road Journal, ‘Protest, Process and Change: How the Provoke Movement Can Offer Lessons for Artists Today
The Upcoming, ‘The Eyes Have It – Modigliani at Tate Modern
The Upcoming, ‘Standing Witnesses – Giacometti at Tate Modern
The Upcoming, ‘Behind the Mask: Gillian Wearing and Claude Cahun at NPG
The Upcoming, ‘A Handful of Dust at Whitechapel Gallery
Rucksack Magazine, ‘Where Art Meets Nature

2016
The Art Story, ‘Freud and Bacon: Lives Lived Under Scrutiny
Art UK, ‘The Secret Lives of Two Scandalous Victorian Marriages
Oh Comely, ‘Coming Home

2014
MA Thesis, History of Art, Courtauld Institute of Art, ‘Women’s work: Representing the hysterical body in the late sculptural fabric works of Louise Bourgeois